Ochre hunting in the Forest

It has been very exciting to discover I can dig up natural earth pigments in my local landscape and turn them into useful paints and printing inks. This is something I have thought about for years, the idea of embedding place into prints and making work that is made directly from the land, transformed through processes but still retaining that sense of place and connection.

The raw natural state of ochre pigments is very beautiful, I think it has something to do with refracting light, there is a deep rich feel to ochre that resonates with print techniques like etching and lithography that give a rich feel to the ink.

This research has led me to hearing stories about Clearwell Caves and the underground world of the Forest, taken me on missions of discovery and tuned my eye to the subtleties of noticing ochre pigment seams in a rock face.

 

 

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